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Portrait of Marilyn Chambers (2008), photographed by pinguino k
Marilyn Chambers · Photo: pinguino k / CC BY 2.0
My Take · Marilyn Chambers

Marilyn Chambers: The Ivory Snow Girl Who Became a Porn Legend

She was the wholesome face on America's purest soap box — then the star of one of the most famous adult films ever made. After 14 years in this business, here's what I think the first true porn crossover star teaches every performer who came after her.

Maximo GarciaBy Maximo Garcia

Key facts

  • Who: Marilyn Chambers (born Marilyn Ann Briggs, April 22, 1952, Providence, Rhode Island – April 12, 2009), American adult-film star, model, actress and singer (Wikipedia)
  • Famous for: The Ivory Snow box model who starred in Behind the Green Door (1972) and Insatiable (1980) (Wikipedia)
  • Crossover: Lead in David Cronenberg’s Rabid (1977), Las Vegas stage star, disco singer, author and 2004 vice-presidential candidate (Wikipedia)
  • Legacy: Ranked No. 6 on AVN’s Top 50 Porn Stars of All Time and one of Playboy’s Top 100 Sex Stars of the Century (Wikipedia; Los Angeles Times)
  • Death: April 12, 2009, aged 56; cerebral hemorrhage from an aneurysm related to heart disease (The New York Times)

Every few years someone in my industry is described as “the first porn star to cross over into the mainstream.” Every time, I think the same thing: no, that was Marilyn Chambers, and she did it before most of today’s performers’ parents were born.

I’ve been in this business for 14 years. I’m one of the most-searched male performers in the world, and I’ve worked with most of the top actresses of my generation. Everything we take for granted — performers negotiating their pay, demanding health testing, using their adult fame to sell music, books and shows — she was doing in the 1970s, with no internet, no social media and no one to copy.

She also paid for it. Hollywood shut the door, the advertising world was scandalized, police arrested her on stage, and addiction nearly took her before her fortieth birthday. Her story is the first chapter of the modern adult industry. Here are the facts, and then my honest take.

The girl from Westport

Marilyn Ann Briggs was born in Providence, Rhode Island, and raised in Westport, Connecticut, in a middle-class household. Her father worked in advertising and her mother was a nurse; she was the youngest of three children. She graduated from Staples High School in 1970 (Wikipedia).

She wanted to perform, and she was determined. “When I was about 16, I learned how to write my mother’s name on notes to get out of school,” she said. “And then I’d take the train into the city to go to auditions” (Wikipedia).

While still in high school she landed modeling jobs and a small role in the Barbra Streisand comedy The Owl and the Pussycat (1970), credited as Evelyn Lang. But her most famous early job was a single photograph: she was the young mother holding a baby on the box of Ivory Snow soap flakes, under the tagline “99 & 44/100% pure” (Wikipedia).

Remember that slogan. It’s about to become one of the greatest accidental marketing stories in entertainment history.

The casting call that changed everything

In 1970 she moved to San Francisco, looking for work in theater and dance — with no luck. “I moved to San Francisco, thinking it was the entertainment capital of the world, which indeed, it is not,” she said later (Wikipedia).

In 1972 she answered a newspaper ad for what was billed as a “major motion picture.” When she arrived, she discovered it was an adult film, Behind the Green Door, by producers Artie and Jim Mitchell. She was about to walk out when the brothers, struck by her resemblance to Cybill Shepherd, invited her upstairs and pitched her the story (Wikipedia).

She was worried, rightly, that it could ruin her chances in mainstream film. But here is the part that makes me respect her as a professional: she said yes on her own terms. According to Wikipedia, she demanded a hefty salary plus 10 percent of the film’s gross, and she insisted that every performer be tested for sexually transmitted diseases (Wikipedia).

Stop and think about that. In 1972, a young unknown model asked for back-end points and mandatory health testing. Fifty years later, those are still the two things I’d tell any new performer to fight for: a share of what you create, and safety on set. She figured both out on her very first job.

“99 and 44/100% impure”

After filming wrapped, she told the Mitchell brothers she was the Ivory Snow girl. They couldn’t believe their luck. They marketed her as the “99 and 44/100% impure” girl. Procter & Gamble quickly dropped her, the advertising world was scandalized, and the story became a running joke on TV talk shows — which only sold more tickets (Wikipedia).

Behind the Green Door, along with Deep Throat and The Devil in Miss Jones, defined what came to be called the “porno chic” era, when adult films played in regular theaters and were discussed in mainstream media (Wikipedia). If you’ve read my column on Linda Lovelace, you know how differently those two women experienced that same moment.

The contrast is striking. Lovelace later said she was coerced, and spent her life speaking against the industry. Chambers negotiated her deal and took her share. Two stars of the same year, two completely different stories — which is exactly why I always say you can’t summarize this business with one narrative.

Fighting her own producers

Her relationship with the Mitchell brothers soured. After a second film with them, Resurrection of Eve (1973), she wanted to move into other areas of entertainment. When they released a 1976 documentary, Inside Marilyn Chambers, made from outtakes and without her approval, she again negotiated — 10 percent of the gross in exchange for promoting it. She still hated it: “It’s supposed to be the story of my life, and it’s not true,” she said later (Wikipedia).

Again, notice the pattern. Someone used her image without asking, and instead of only complaining, she turned it into a contract. That’s business instinct.

The crossover: Cronenberg, Vegas and disco

She desperately wanted a mainstream acting career, and she was open about how hard that was. “The paradox was that, as a result of Green Door, Hollywood blackballed me,” she said. “I became known as a porno star, and that type of labeling really hurt me. It hurt my chances of doing anything else” (Wikipedia).

Projects came close and fell through — a planned film with director Nicholas Ray never happened, and the casting director of Hardcore reportedly found her “too wholesome” to play a porn star (Wikipedia). Think about the irony of that one.

But she still did more than almost anyone in her position:

  • Film: She starred in David Cronenberg’s horror film Rabid (1977). Producer Ivan Reitman suggested her, and Cronenberg said he was impressed by how hard she worked. “He taught me a lot of things that were very valuable as an actress,” she said (Wikipedia).
  • Stage: In 1974 she starred in the dinner-theater comedy The Mind With the Dirty Man in Las Vegas. It ran for 52 weeks, at the time the longest-running play in Vegas history, and the mayor gave her the key to the city. She later did Neil Simon’s Last of the Red Hot Lovers there (Wikipedia).
  • Music: Her 1976 disco single “Benihana,” produced by Michael Zager, had chart success; Billboard said she sang “quite nicely in a sexy little voice” (Wikipedia).
  • Books and columns: An autobiography, My Story (1975), a book with Xaviera Hollander (1977), and advice columns in Genesis and Club magazines (Wikipedia).

Today, a performer who builds a music career, a stage show and a media brand is called “an entrepreneur.” In the 1970s, she was just Marilyn. When she died, Steven Hirsch, co-CEO of Vivid Entertainment, put it simply: “She was the first crossover adult star. She was the Ivory Snow girl, and when she decided to make an adult movie, that was big news” (Philadelphia Inquirer).

That’s the same road later walked by Ginger Lynn, Traci Lords and Sunny Leone. She paved it.

Insatiable: the comeback that sold

By 1980 the mainstream doors still weren’t opening, so she returned to adult film with Insatiable, a high-budget production. “It was a cool story and the budget was going to be a lot higher,” she recalled. “It was going to be very classy” (Wikipedia).

It worked. Insatiable was the top-selling adult video in the United States from 1980 to 1982 and was later inducted into the XRCO Hall of Fame. She followed it with sequels and a series of features whose scenarios and dialogue she wrote herself (Wikipedia). Writer, star, creative control — again, ahead of her time.

She eventually left the business because of the growing fear of AIDS (Wikipedia). Remember: she had demanded health testing in 1972. She took that risk seriously long before the industry did.

Arrests, addiction and recovery

In 1985 she was arrested twice during live stage shows, in San Francisco and Cleveland. The San Francisco charges were dropped; her lawyer argued she had been used “as a pawn” in a political fight over the licensing of adult theaters, and afterwards the city’s Board of Supervisors stripped police of the power to license those theaters (Wikipedia).

Her private life was harder. She married Chuck Traynor — Linda Lovelace’s ex-husband — who also managed her for about ten years. By the mid-1980s, according to Wikipedia’s account of her life, she was “on her way to an early grave,” drinking heavily and using cocaine daily. She met a recovering addict on a blind date, entered Narcotics Anonymous, and got clean and sober in the early 1990s (Wikipedia).

I’m glad she got clean. I’ve seen in this industry how fame, money, nights and pressure combine. The people who survive long-term are the ones who, at some point, decide their health matters more than the next booking. She did. And as I wrote about Jenna Jameson, that decision is often the bravest one a star ever makes.

The honors — and her honest advice

San Francisco eventually changed its view of her. In 1999 Mayor Willie Brown proclaimed a “Marilyn Chambers Day,” praising her “artistic presence,” her “vision” and her “energy.” In 2004 she even ran for vice president of the United States on the libertarian Personal Choice Party ticket, receiving 946 votes (Wikipedia).

But the quote I always come back to is the one she gave in 2004: “My advice to somebody who wants to go into adult films is: absolutely not! It’s heart-breaking. It leaves you kind of empty. So have a day job and don’t quit it” (Wikipedia).

That’s the most successful woman of her era telling young people not to follow her. I don’t read it as regret. I read it as honesty from someone who knew the full price.

She died on April 12, 2009, at her home near Santa Clarita, California. She was 56, and was found by her teenage daughter. The coroner found that she died of a cerebral hemorrhage caused by an aneurysm related to heart disease (The New York Times; Wikipedia). The New York Times, the Los Angeles Times and newspapers across the country ran obituaries (NYT; Los Angeles Times).

What every performer should learn from Marilyn Chambers

  1. Negotiate before you say yes. Salary and a share of the gross — on her first film.
  2. Demand health and safety. She asked for testing in 1972. No excuse not to today.
  3. Turn misuse of your image into a contract. She did it with the Mitchells’ documentary.
  4. Build more than one skill. Stage, music, writing, film — some worked, some didn’t, but she kept building.
  5. Protect your health over your career. Recovery was her real comeback.
  6. Keep a day job in your mind. Her own advice. Have a plan B — always.

My Take (opinion — Maximo Garcia)

Marilyn Chambers is, in my opinion, the real founder of the modern adult star. Before contracts with percentages, before mandatory testing, before “personal brand” was even a phrase, she was negotiating points, demanding tests, starring in a Cronenberg film, headlining Las Vegas, singing disco and writing books. She also suffered everything the industry still does to women: stigma that kept Hollywood closed, producers who used her image without asking, police who treated her as a political pawn, and a lifestyle that almost killed her.

After 14 years in this business, I can tell you that her final advice — “have a day job and don’t quit it” — is not anti-porn. It’s pro-performer. It’s the voice of someone who had the biggest career possible and still knew that fame in this industry doesn’t protect you. Respect her as a pioneer, and listen to her as a veteran.

I write about the history and the realities of this job at maximogarciaworld.com.

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FAQ

Who was Marilyn Chambers?

An American adult-film star, model, actress and singer (1952–2009), famous for Behind the Green Door (1972) and Insatiable (1980), and often called porn’s most famous crossover (Wikipedia).

Why was Marilyn Chambers called the Ivory Snow girl?

Before her adult career she modeled as a young mother holding a baby on the Ivory Snow soap box, under the slogan “99 & 44/100% pure.” Procter & Gamble dropped her once her film became famous (Wikipedia).

What mainstream films did Marilyn Chambers make?

She had a small role in The Owl and the Pussycat (1970) and starred in David Cronenberg’s horror film Rabid (1977), among other independent films (Wikipedia).

How did Marilyn Chambers die?

She died on April 12, 2009, at 56, at her home near Santa Clarita, California; the coroner found a cerebral hemorrhage caused by an aneurysm related to heart disease (The New York Times).

How we fact-checked this

Every fact and quote was checked against the sources below; where a claim comes from a single account (for example her own later interviews), it is attributed. Anything we could not confirm was left out. Opinions are Maximo Garcia’s own and are labeled as such.

Sources

Filed under: Golden Age legends · Authors and memoirs

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Maximo Garcia, porn actor and author of House of Maximo
About the author

Maximo Garcia

Fourteen years in adult film. One of the most-searched male performers in the world. He has shot with most of the industry's biggest names — and on House of Maximo he tells their real stories, with the take only an insider can give.

Spanish actor and columnist. Every fact sourced, every column his own opinion.

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